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078 | 柔似蜜:关于照护的故事,电影有更激进的想象 'Rosemead', 'Take me home', and telling stories about caregiving
078 | 柔似蜜:关于照护的故事,电影有更激进的想象 'Rosemead', 'Take me home', and telling stories about caregiving

078 | 柔似蜜:关于照护的故事,电影有更激进的想象 'Rosemead', 'Take me home', and telling stories about caregiving

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【聊了什么The What】 小杨、小蓝与友台残言片语主播八如一起聊了两部关于残障与照护的电影:刘玉玲主演的《罗丝密》(Rosemead) 与圣丹斯今年新出的口碑佳作《带我回家》(Take Me Home)。 讲述残障者的故事,很难绕过照护者的故事,也很容易陷入苦大仇深的叙事漩涡;毕竟社会给残障者的资源那么少,而在资源的匮乏中能讲出的故事常常是《罗丝密》中描绘出的毁灭性的绝路。而《带我回家》则通过一种模糊虚构与真实的即兴手段,让残障演员在故事中展现全新的创作方式。或许这种匮乏并不是必须的,或许优绩主义的亚裔家庭不一定要把残障视为绝路,或许电影人能给出的激进的想象能够推动我们重塑现实,毕竟生而为人我们终将是脆弱的。 In this episode we are joined by Baru from our friend at 残言片语 to discuss two films about disability and caregiving: Rosemead, starring Lucy Liu, and Take Me Home, a critically acclaimed new Sundance film. When telling stories about disabled people, it is hard to avoid telling the stories of caregivers as well. It is also easy to fall into a heavy, tragic narrative spiral. After all, society offers so few resources to disabled people, and from within that scarcity, the kinds of stories that emerge often look like the devastating dead end portrayed in Rosemead. Take Me Home, by contrast, uses an improvisational approach that blurs fiction and reality, allowing disabled actors to reveal a wholly different creative mode within the film itself. Perhaps this scarcity is not inevitable. Perhaps, in high-achieving Asian families, disability does not have to be treated as a dead end. Perhaps the radical imagination offered by filmmakers can help us reshape reality—because as human beings, we are all ultimately fragile. 【时间轴 The When】 00:00 - 两部电影的初观感 08:11 - 《柔似蜜》:真实的悲剧还是缺乏想象力的“绝路” 19:01 - 《待我回家》中的姐姐角色:拒绝牺牲自我,寻找更长久的方案 31:01 - 《待我回家》的激进结局 36:39 - 导演 Liz Sargent 谈“激进的想象力”(Radical Imagination) 45:53 - 电影工业能够多大程度上支持残障演员 55:31 - 心理健康与精神健康在政策支持上的滞后性 59:11 - 亚裔社区的“家丑”观与优绩主义 71:14 - 人类本来就是脆弱的 00:00 – First impressions of the two films 08:11 – Rosemead: a true tragedy, or a “dead end” shaped by a failure of imagination 19:01 – The sister character in Take Me Home: refusing self-sacrifice and searching for a more sustainable path 31:01 – The radical ending of Take Me Home 36:39 – Director Liz Sargent on “radical imagination” 45:53 – To what extent the film industry can support disabled actors 55:31 – The lag in policy support for mental and psychological health 59:11 – The Asian community’s view of “family shame” and meritocracy 71:14 – Human beings are fragile to begin with 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡: 海外用户:https://www.patreon.com/cyberpinkfm 海内用户:https://afdian.com/a/cyberpinkfm 商务合作邮箱:cyberpinkfm@gmail.com 商务合作微信:CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

078 | 柔似蜜:关于照护的故事,电影有更激进的想象 'Rosemead', 'Take me home', and telling stories about caregiving

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